GREGORY REEVE , American composer born in New York City.

Compositions include many works for chamber ensembles, symphony orchestra, and electronic resources. The operative laws of the world of science, particularly astrophysics, are reflected in his methods of music making.

As an improvising performer, Reeve received critical recognition as the improvising percussionist/violist in the particularly highly acclaimed United States based reincarnation of Musica Elettronica Viva for 6 years and performed internationally along with Frederic Rzewski, Garrett List and Richard Teitelbaum. Larger formations of this ensemble included Anthony Braxton, Jon Gibson, Karl Berger, Roscoe Mitchell and Alvin Curran.

As a member of MEV, was a composer in residence at Antioch College, Ohio, and there taught composition and improvisation.

He was a performing member of the Tone Roads Ensemble along with Malcolm Goldstein, Philip Corner, James Tenney, George Flynn, Joshua Rifkin, Archie Shepp and others.

He was a performing member of the SEM Ensemble, the SEM Orchestra, the Creative Associates at the University of Buffalo and Fluxus.

He has written and performed music for many dance companies including the Merce Cunningham Dance Company, the Nancy Meehan Dance Company, James Waring, Elaine Summers, the Judson Memorial Dance Series, and the Grand Union Dance Co.

He has performed written or improvised music with artists including Perry Robinson, Kirk Nurock, David Tudor, Julius Eastman, Lee Konitz, Bobby Moses, Max Neuhaus, Eric Salzman, Borah Bergman, James Fulkerson, Cornelius Cardew, Gordon Mumma, David Behrman, Cleve Pozar, Michael Sahl, John Cage, Michael Kamen and Mark Snow.

While working for the New York State Council on the Arts as the specialist in New Music and Jazz, Reeve was instrumental in bringing about a ten-fold increase in the State's allocation for this area of music. He became the founding Executive Director and President of the Center for New Music in New York City, an organization devoted to fostering the art music of our time through its widely disseminated Calendar of New Music, and the production of concerts and broadcasts.

Reeve produced and hosted for 10 years a weekly 3 hour radio show on WBAI-FM in New York City which was devoted entirely to current "art" music. Some of the artists interviewed were Pierre Boulez, Earle Brown, Steve Lacey, Charlie Haden, Meredith Monk, Carla Bley, Chou Wen-Chung, Pandit Pran Nath, and LaMonte Young.

Concerts he produced included the works, participation or performances by Anthony Braxton, George Lewis, Maryanne Amacher, MEV, Cornelius Cardew's AMM Ensemble, John Cage, Elliott Carter, Kirk Nurock, Perry Robinson, Karl Berger, John Tilbury, The Unholy Modal Rounders, Aaron Copland, Virgil Thomson, Luciano Berio, Jimmy Garrison, Lee Konitz, Alvin Lucier etc.

Being a composer, Reeve also works in the related fields of computer music, audio engineering, recording session producing, and audio CD mastering and editing for both major and independent labels.

Performing as a percussionist,timpanist and violist, Reeve has performed in all of the major concert halls of NYC and many venues throughout the world. As a recording artist he can be heard on Opus One, Wergo,Pablo Records, Sean Fine Arts Editions and others.

List of Compositions by Gregory Reeve

Red Gongs for 17 Instruments

Messier 1, NGC 1952 for solo flute

4 String Quartets

Ptarmigan Wall for Violin and Percussion (one player)

Rings for Solo Cello

All the Colours in the Universe for Soprano, Oboe and Cello

Quartet for Flute and Strings

Orchives for Piano and DX-7 Synthesizer (one player)

Fantasia for Piano

Sextet for Flute, Clarinet, Violin,Piano, Contrabass and Percussion

SS 433 for 18 Instruments

Soul Snatcher for solo percussionist / drummer and electronic music for radio broadcast

Sonata for Violin and Piano

Movement for String Quartet

Concerto for Orchestra

Concerto for Violin and Orchestra

Sonata for Piano

Electronic Concerto for Violin and Orchestra infinitely long and perpetually asynchronous

Ferquation #2 for 2 Solo Drummers,.Painter, Tape and Symphony Orchestra

Blue Balls for mixed instrumental ensemble

Quartet for Winds

Concerto for Trombone and Small Ensemble (work in progress)

CDs of some of these works will be available in late 1997. Some amazing tapes of totally free improvisation sessions and concerts that he has participated in will also be mastered onto CD, published and distributed. These sessions are an exceptional archive of a special time in 20th century music.

Low resolution short samples of soundfiles of Reeve's music will be soon downloadable from the Audio, MIDI and Notation Image Files page of this web site in Real Audio bit-streaming format, crescendo, .wav or .au format.

NoteView and MIDI files will also be posted there.

  • Go to Gregory Reeve's Editorial on The State of the Arts on the Eve of the Millenium
  • Go To Disussion on Effecting a New Improved "MEET THE COMPOSER"
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